Showing posts with label Anne Douglas. Show all posts
Showing posts with label Anne Douglas. Show all posts

Jan 27, 2010

Why does the second husband always die?

Like many of you I trundled along to see one of the big hits of 2009, 2012. (Yes, that does look odd written that way, doesn’t it). And since I’m a great fan of totally ridiculously impossible action-adventure stories featuring feats of magnificence no mere mortal has a hope of reproducing (aka we have no MacGuyver abilities whatsoever) I thought it was pretty good.

But I walked away from the movie with one big disappointment.

Why-oh-why did the nice, turned-out-to-be-quite-the-hero second husband have to die? It would have been rather refreshing to have a story where for once the poor second husband didn’t get gypped for taking on the first marriage baggage and making it work anyway.

Maybe I’m projecting too much reality into my movie watching desires, after all the amount of divorces that end up in a remarriage are rather slim. I would very much believe a ‘we’ve been able to become friends again’ scenario though.

Especially in 2012.

Husband #2 might have been a little bit of a milquetoast safe-bet of a partner after the ups and downs of husband #1, but he stepped up to the plate when push came to shove to save the ones he loved (and some he didn’t). In fact, the story hinges on husband #2’s abilities to be able to fly a plane, yet die—and pretty dramatically—he does.

Do scriptwriters think it’s impossible for viewers to expand their view to encompass an ending where marriage #2 is a winner? Do they think all divorced people are secretly still moping over partner #1?

And why is this the polar reverse to Romanceland?

In Romances it’s traditionally the other way around. The first husband dies (sometimes of a banal reason like she was married off to an old codger and his heart gave out; others because they deserved it for their violent behaviour/actions) leaving the floor clear for that first young love to come back and take his rightful place. It’s not a commonly found story where the heroine was quite happy with marriage #1 and looks back with fondness, love and heartache at having lost their first husband.

Movies often have marriage #2 only exist until partner #1 pulls their head out of their arse, Romance has #1 existing only as a placeholder (and giver of angst/drama) until husband #2 comes along to save the day. I wonder why such different points of view about marriage (and subsequent divorce) #1 from movies to romance reading?



(duplicated from my personal blog)

Anne Douglas

Dec 16, 2008

All Boxed Up - a Holiday Kiss from Loose Id

All Boxed Up
Anne Douglas

Genre: Full-figured Heroine Erotic Contemporary
Length: Holiday Kisses



Christmas Eve is not supposed to be celebrated naked, tied up, and locked in a dark cardboard box. But that's exactly where Aimee Small finds herself. Has she been kidnapped by some strange Christmas themed psycho-killer, fascinated with the owner of the local Christmas shop? Or is it something else entirely?

Joseph Christopher was not expecting to come home and find a huge-ass box in his foyer -- especially one that makes noises. When he lifts up the lid, he finds that Santa's come early this year and left him a tasty gift indeed: Aimee, the girl he's been crushing on all year. She's naked, bar some red satin ribbon wrapped, candy cane-style, around her luscious body.

Oh, yeah! Some years it pays to end up on Santa's naughty list...

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable.

* * * * *
When Loose Id put out a call to their authors about a group of shorts for the holiday season this great little vignette of a woman trapped in a box and the man who finds her popped into my head. It was supposed to be my first real foray in a storyline with BDSM. After all a short story would be perfect for dipping my toe in the pool right?

I've always had this impression that BDSM storylines usually have to be pretty serious - sexy, but serious - due to the nature of the power play (big sweeping generalisation there, I know). So I sat down and wrote this kind of creepy first page or two expecting my hero to come along and 'release' my heroine from her literal and figurative box, and on the story would unfold.

Well that was the plan.

My hero turned into a bit of a clumsy guy - a computer guy with a heart of gold who's really
crushing on the shy-with-guys, but outgoing heroine. Not at all the Alpha with a side of submissive I was going for.

Instead I got pratfalls, and loose dangling ribbons just perfect for tripping over, a computer geek out to show his crush he's just what she needs, and a girl who finally shoves her shyness to the side to grab at what she wants, and sex, hot sex.

A hot sexy comedy comedy. Not serious at all. Bugger.

Oh well, maybe next time!
Read an excerpt after the cut

She was disconcerted, to say the least, by waking up to realize she had no idea where she was.

It was even more distressing to open her eyes to find it dark -- not middle of the night dark, but ohmigod-can’t-see-the-end-of-my-nose-where-the-hell-am-I dark -- and that her hands and feet were bound, and if the goose bumps were a guide, as close to naked as she could get without actually being so.

Aimee shook her head, but the slightly muzzy feeling she’d woken up with still clung at the edges. Am I dreaming?

A pinch on her inner thigh that no doubt left her with a red mark assured her she wasn’t. It stung like hell. Not dreaming then.

The walls were close, much too close; her hands had been bound at the wrist, but not to her body, so she still had some maneuverability and didn’t have to reach far to feel the walls of her cage. There was about a foot either side of where she sat that, once you calculated in the width of her ass, made her cage roughly four foot wide. With her arms stretched right out above her head she could just touch the top, and her fingertips told her the walls were smooth, not unlike the feel of thick paper.

A cardboard box.

But how did she end up naked -- and from what she could gather by touch, wrapped in wide satin ribbon -- and in a damn box? Close to tears, she sniffed to hold them back and caught the slight smell of peppermint -- just like the scent she used in her shop, The Jolly Santa.

Damn it, the sick bastard’s put me in a box that came from my own store!

A tear escaped to trickle down her cheek, only to be soaked up by the ribbon her jailer had used as a gag. The gag wasn’t that tight, but it still made it difficult for her to close her mouth, and with her hands tied together, palm-to-palm in front of her, she couldn’t reach the knot in back.

She sniffed again, but the tears overflowed, there was no holding them back.

Who? Who would do this to her? Why had they done this? She didn’t have any obvious enemies. Well, none that she knew about, at least.

Visions of psycho killers danced in her head; the horrific images of the abducted girls from the movie Hostel -- images only two weeks old -- were especially clear. The bindings around her ankles were tight, but she fought them anyway, her hearing straining as she waited for the whine of a chain saw or the click and hum of an electric cattle prod through. Only the tinny sounds of holiday music made it through the walls of the box.

Oh God. I’ve been abducted by some nut job with a weird Christmas fetish, or maybe a vendetta against Santa for not bringing him a bike when he was eight.

Maybe she should have listened to her mother when she’d told her opening an all year round Christmas decoration shop was a bad idea. But she’d been wrong! The Jolly Santa had been running profitably from the day it opened -- apparently, like sex, Christmas sells.

Aimee froze mid sob as she caught the click-clack of keys bouncing on a door lock. The assembly rattled as it was turned, the locking mechanism horribly loud to her over-stressed hearing, despite the distance. She began to shake as she heard the eerie screech of the door opening. Her abductor was happily singing.

“We wish you a merry Christmas, we wish you a merr -- what the fuck?” Heavy footsteps came through the door and halted, the keys rattled again -- being removed from the lock no doubt. It was strange the way she could rationalize every single little sound.

The door slammed, the reverberations rattling through the floor and to her box, all the way through the soles of her feet and her butt. The steps marched closer, then there was a heavy thud as something substantial was dropped to the floor…some sort of bag, maybe?

It was true what they said, when faced with certain death your life did flash before your eyes. Aimee blinked back the memories and regretted only one thing: that she’d never told Joseph Christopher how she really felt about him.

More steps; around her cage now. She dared not move in case she drew attention to herself. Something scratched around the sides -- fingers? Aimee barely let herself breathe.

“How the hell did this get here?”

Huh?

The box rocked as it was pushed from side. “Heavy, whatever it is.”

Hey! Aimee threw her shoulder into the side of the box the push had come from.

“And it moves. Great.” The man seemed annoyed. “If Darren snuck in here and left me a sheep, I’m going to keep the damn thing, fatten it up, and feed it to him at Easter.” There was scrabbling at the top of the box. “A card, how nice.” The ironic sarcasm was thick.

Something was not right with this situation, not right at all. But who was she to complain if the guy, whoever he was, wasn’t a psychotic mass murder. But it begged the questions: who and why?

“Joseph,” the man read, “you’ve tried so hard this year, but Aimee just couldn’t see it. So we decided it’s time you both got what you really want. You’ll find your gift inside the box. Make the most of it. C&P”

Understanding hit with a flash of disbelief. Her incredulous scream of “No, no, no, no, no!” only came out as a muffled squeal as she tugged against the restraints on her limbs. The box rocked to and fro as she fought; her terrorized emotions screamed at the injustice of it not being a stranger, but the man she’d crushed on for a good five years now slowly lifting up the lid of the box her demented cousins, Candy and Petunia, had trapped her in. They must have drugged her at dinner, stripped her, tied her up, and left her on Joseph’s doorstep like the proverbial pig with an apple in its mouth.

Her cousins had gone much too far this time.


Sep 24, 2008

Will I ever learn?

Contrary to the usual standard 'oh I was writing stories when I was 6/8/10' staple of many authors I didn't pick up a pen until 2006. Or more exactly I should say I didn't pick up a pen and write a story with it, I've a long checkered history with photographs, oil paints, pencils, pens and ink. So writing, and indeed publishing is a career that is relatively new to me. Oh how my frustrated English teachers must be turning in their graves! (Yes, I was the person that debated every poem and every paragraph of prose when we were 'told' what it meant. That person in class that pulled out the 'but how do you know that's what they meant?' line of defense.)

I may well have been a minor genius at debating our understanding of the written word and the authors actual intent, but I couldn't deconstruct the English language to save myself. I still can't. It's a sad thing to know that my 2nd grader probably could tell you what's wrong with a sentence faster than I can. Oh, I can tell you what's wrong, all right, using a finger and the phrases 'this needs to be here, and that over there or else this is doing that which is impossible!' but if it comes to using such phrases as participles, adjectives, dangling modifiers you're shit out of luck. And you're likely to be the recipient of a blank stare as Anne frantically searches the recesses of her brain for the answer because-she-should-know-this-stuff-damn-it!

Thank your preferred Deity for good editors. Barbara M, you're my lifesaver!

I'm pretty sure I'm the bane of her existence.

I've had a lot to learn the past 2 1/2 years. The dreaded 'it' and 'that', show versus tell, dialogue tags (who knew he said/she said was a bad thing?), the list goes on. And then there is my pet foible, starting sentences with '-ly' and 'ing'. Yes, the dreaded 'Suddenly, there was a noise.' syndrome (and, if you noticed, my bad habit of starting sentences with And only superceeded by But). Yet, every time I hand in a new manuscript I wait with baited breath for the first edits.

Did I manage this time to pick up on my problem areas? Did I slip back into NZ/Britishisms when the piece is set amibgiously but with American turns of phrase (which I did in this case, seriously though, do you have any idea how hard it is to realise what is or isn't a Kiwi/Britishism when you are a Kiwi? Doesn't everyone call it a chilly bin and a kitchen bench?). Did I find all the it's and explain just what 'it' is? Have all those things my editor has taught me finally sunk in yet? (cross fingers, touch wood, thrown salt over my shoulder etc etc)

funny cat pictures & lolcats - Noooo they be stealinĂ¢�� mah brain!!!!Can I plead baby brain when the baby is now eight? Rapid onset adult ADD? Is it possible, nearly three years on to plead newbie status? Or should I resign myself to the fact that even at 80, my editor will still open that first final draft file with their eyes closed?

And most importantly of all: Will I still be sending off that final draft file with my eyes firmly glued shut?

I guess I'm just going to have to stick around this writing game a bit longer to find out. :)

AnneD
(Who really needs to get back to her editing and finding all those pesky Kiwi phrases that slipped through!)

PS. If you want some good advice on how to make your work great, hit Lena's blog, where she's done a whole series from plotting to editing and further that has some GREAT advice.



And here is the rest of it.

Feb 12, 2008

New Tuesday: Par 3

Congratulations to the three other authors releasing new work this week!

My new release today is from the Husbands and Wives Series - Husbands and Wives & Lovers: Par 3. Instead of a blurb, here's the link for the book page for you to read all about it.

The Husbands and Wives series was an idea I'd been tossing around for a while before pitching it to Loose Id. I'd convinced my Critique partners Amanda Young and Michelle Cary to jump on board so we could have a trio of stories. Between the three of us we write mainly in the contemporary setting, but Amanda tends to write m/m, Michelle is a little more on the sweet and suspenseful side, and me - well you know me, the lady who likes men who like women who like men who like men. Confused? lol! Anyway, Treva thought the concept had merit - after all there aren't many erotic romance stories that start after the HEA, and you've had a few years to figure out everything's not all roses and chocolates. So we wrote!

Those of you that have read any of my back list know that Tea for Three was set back in my home country of New Zealand. I did the same for this story, too. Why? Well, I'm not quite sure there is one exact reason, but a melange.

One is that since I wanted to tackle the situation of a firmly established couple treading on thin ground in their relationship, there was going to be a lot of emotion, not background. What better way to feel at ease with the surroundings when I would need to than by using a setting I'd grown up in. Especially since one of the other reasons I'd set the story in NZ was that I was using a golfing theme/metaphor throughout. Being able to call on the times as a young teen when I'd gone out golfing with my Dad (aka I got to piss and moan my way around the course because I was only allowed to wheel the bag - oh and get attacked by Magpies #$%^&**!!) made it much easier to channel just how those golf games would go.

Do I golf? Not so much, although I don't think I'd be that bad at it -- I think the Magpie incident scarred me for life, and damn it they have gators and snakes on the courses here in Florida people! No way, Jose!

Then of course there is plain selfish reason - I don't have to alter my vocabulary in large ways, and get to use all sorts of Kiwi'isms just to confuse you all. Seriously, you'd be surprised how much English differs, from well... English!

You can find out more about my back list here, buy Par 3 here, and read an excerpt here.
Design by: Anne Douglas based on Arsenal by FinalSense