Showing posts with label Summer Devon. Show all posts
Showing posts with label Summer Devon. Show all posts

Nov 2, 2010

The Nobleman and the Spy


Summer Devon and Bonnie Dee present another m/m historical, The Nobleman and the Spy. We've enjoyed writing these and sure hope you enjoy reading them.

They once faced each other on a battlefield. Now soldier-turned-spy Jonathan Reese must keep watch over the man he’s never forgotten. A close encounter reveals Karl von Binder, the count’s son, also recalls the day he spared Jonathan’s life. Sparks fly between the former enemies and Jonathan begins to lose perspective on his mission. He knows he must maintain distance because the heat he encounters in Karl’s touch stirs him far too deeply for his own good. He can’t keep away--especially when he suspects someone is trying to kill the nobleman.

The spy becomes a protector as Jonathan guards the man he’s begun to care for. Together the men try to puzzle out who would benefit from Karl’s death—and how much they’re willing to trust each other when a torrid sexual fling threatens to become an affair of the heart.

Excerpt

Toole had told Reese to use whatever methods worked. It hadn’t occurred to Reese to simply state a portion of the truth, but why not?

He’d have to pick an answer that didn’t reveal too much, of course. After almost a week of following Binder, he could tell the man all sorts of truths. He might tell him that he’d spotted someone -- a foreigner from Binder’s own country, perhaps -- following the count’s son.

Or Reese could spill even deeper secrets. That his dried-up twig of a soul felt an unfamiliar flicker of life every time he saw Binder laugh. That he’d listened in on the conversations Binder held with his underlings and had grown to admire the way he treated his servants and staff. That he lay awake at night and thought of what it would feel like to put his mouth on Binder’s lips and other parts of his body. He might admit that, in a crowd, he’d drawn too close to Binder more than once just to see if he could smell the man.

Except Reese had excellent self-discipline. He’d released the guard on his impulses only once in his life and had lived to regret it. He sure as hell didn’t welcome this attraction to an enemy from the past, this very dangerous man.

Still, one truth would do no harm, and perhaps he’d be able to learn the answer to the question that had nagged him for years. “You’re right. I was at Sevastopol. Why do you think you remember me?” He didn’t add for I recall you too.

Binder’s blue eyes glowed, and he smiled as if Reese had admitted something wonderful. “I don’t understand it myself. That day of the battle. God.” He shuddered, and Reese felt a ghost of that same response in his own body. “There were hundreds -- thousands of us -- and it was a blur of bodies and pain and fear. My horse was slain under me. I was injured.”
Reese shook his head. He hadn’t known.

“Much of it comes back when I close my eyes. I expect it does for you too,” Karl went on. “But one of the most vivid images of that day, of that whole bloody, pointless war, is of you. You’d lost your cap, and you were covered in blood. I was looking for more…” He cleared his throat. “For the next to kill. I was filled with that lust. You know the feeling.”

Reese couldn’t answer. He knew and loathed the primal killing instinct that overtook him whenever he’d had to dispatch another man. He shrugged.

“And then I saw you watching me.”

Reese leaned forward, his entire being at attention. At long last it seemed he was going to receive an answer to the intolerable question -- why me? Of all the men in the field that day, why had this stranger passed him over like the angel of death in Egypt?

“Yes, I admit I recall seeing you. What of that?” he asked with feigned casualness. Amazing he could sound so nonchalant when his heart was racing. “Tell me this. Why did you spare me?”

Binder inclined slightly toward him too and lowered his voice as he answered, his throaty rumble sending lust spearing through Reese. “Because I saw your eyes. I saw…” He shrugged broad shoulders.

Reese tilted his head to show he listened, and Binder went on. “I saw so many things. I saw myself when I watched you. So self-centered, eh? Angry, passionate, and ready to die. But I also saw a man who’d suffered too much. And, well…” He rubbed a blunt finger over the lace tablecloth. Reese watched those hands, large with golden hair on the back of his wrist, and he was almost too distracted by the sight of them to hear Binder’s next words. “I saw what a bloody monster I’d become.”

He stopped speaking, and for once, Reese wasn’t patient enough to let silence linger. “We were all bloody monsters in war.”

He should not allow his thoughts to venture in that direction. Curse the man for rousing the emotion of unwelcome memories. With one long, deep breath, Reese suppressed the ripples of disquiet disturbing his calm. He looked straight into Binder’s face, but the other man didn’t appear to notice. His blue eyes seemed sightless as he gazed at something else, those days in Sevastopol, probably.

Reese could examine him at leisure, a pleasant task. Even with Binder’s large, Germanic features, there were touches of grace -- the way his throat rose from the high collar, the line of his jaw, and the well-brushed, gleaming, wheat blond hair.

His enemy’s low voice woke Reese from a fantasy of touching that hair, stroking it, seizing it, and gripping it while he drove into the heat of the man’s mouth. His carnal fantasies about this man were getting out of hand.
“Ah. But your face, your eyes.” Binder at last met Reese’s stare. “Do you know the word tzadik?”

Reese knew German, but this word was unfamiliar. He shook his head.

“It’s Yiddish. It means ‘one who acts righteously.’ Back then I didn’t know the word. I’m not Jewish.”

Reese knew that. He’d read the details of the man who’d been born to an English mother and a German Catholic father and who had been brought up in the Church of England.

“After the war, I heard a bit of the definition -- just a little -- and at once I imagined you. That day on the battlefield, your eyes sent a burning arrow into me. If a man’s eyes could do such a thing, you would have killed me -- a part of me -- with that look. I saw the righteous judge who’d witnessed my failure as a human. I couldn’t face you, and I certainly couldn’t kill you.”

His explanation was weighty and far more truthful than Reese would have expected.

“All that from a look,” Reese said sardonically, though he felt slightly dizzy. Through all these years, he’d also vividly recalled Binder, as if that scene were a fresh memory.

A moment later, Binder grinned suddenly, and his laugh lines showed Reese the man’s natural face -- lighthearted, almost mischievous. Reese had already seen evidence of his mercurial nature, but this jump from grim to delighted was sudden, even for Binder.

“You are amused?” Reese asked.

“Now that I consider the matter, I wonder if I simply liked your appearance, blood-smeared and all. It was an impulsive decision to spare you. Shall we call it that?”

Jesus God, was this man admitting to physical attraction? Reese suppressed the urge to look around and see who might be listening. He was no green lad who would blush at bawdy suggestions -- even those of forbidden practices -- but this was no place to mention them. He smiled blandly but didn’t answer, as if he’d heard no suggestive meaning -- and perhaps one had not been intended.

“So, tell me why you are following me,” Binder demanded, abruptly changing the subject.

Feb 6, 2010

Writing As One


Hi all, Bonnie Dee and Summer Devon here to talk a little about collaborative writing.
We've enjoyed writing several m/m historicals together, two of which are releasing at Loose Id this year. Seducing Stephen is available now and Wounded Heart releases in March.

Bonnie: Summer is easy to write with. She completes me. We bounce ideas off each other and rarely argue. If either of us think the other one’s latest idea sucks ass, we aren’t afraid to say so.

Summer: It's certainly easier to plot your way through a book with two brains working on it instead of just one. So far we haven't reached a point where both of us are stuck on what should happen next.

Bonnie: First I’d like to give a blurb for each of our releases and then I’ll toss some questions at Summer.
Seducing Stephen: Stephen is visiting the home of a friend during holiday from university when his bed is invaded by a late arriving, drunken houseguest stumbling into the wrong bedroom. From this dubious beginning, a romance slowly develops. At first Lord Peter Northrup is only interested in the young man as a lusty diversion. He tutors him in the ways of most homosexual liaisons of the time—brief, light, and always temporary. But after he leaves, breaking young Stephen’s heart, he can’t forget him.

Both men grow during their time apart and when they meet again, their affair flames hotter than ever. Is there any possibility for a real relationship between a peer of the realm and a middle-class young man with heavy responsibilities on his shoulders? Will Peter accept the possibility of true love in his shallow life, and will Stephen risk everything and trust a man who’s already hurt him once?

Wounded Heart: When Sir Alan Watleigh goes searching for sex, he never imagines the street rat he brings home for one last bit of pleasure in his darkest hour will be the man who hauls him back from the edge of the grave. Despite his harsh life in the slums of London, Jem is a bright, cheerful young man. He’s also witty, irreverent, glib, and makes Alan laugh--a rare occasion since war time trauma and the death of his family have made the man a ghost of his former self.

A single night of meaningless sex turns into an offer of permanent employment. Jem acts as Alan’s valet, but offers him so much more than polished boots and starched cravats. Just as the men are adjusting to their new living arrangement, news about a former soldier under his command sends Sir Watleigh and Jem on the road to save a child in danger.

The journey brings them closer together as they travel from lust toward love. They rescue the girl from the clutches of an insane surgeon, who is as interested in experimenting on the vulnerable human spirit as he is on physical bodies. Alan realizes his love for Jem when he nearly loses him, but is Alan’s love strong enough to risk society discovering the truth about him? And is he strong enough to finally accept his sexual identity?

Bonnie: Which of the two stories, or characters in either of the stories resonated most with you?

Summer: Whichever story I'm writing is the one that resonates for me. I tend to fall in love with characters, write them and then forget all about them with the next batch of characters. It's fun to be fickle.

Bonnie: I’ll fully admit that while I like Seducing Stephen and find earnest, tender-hearted Stephen and rakish, heart-guarded Peter interesting characters, I love, love, LOVE Jem from Wounded Heart. I’ve had a thing for the Artful Dodger archetype since I was young and Jem is just such a witty and fun character.

Summer, you've not written m/m romance before now. How was the experience for you?


Summer: Since I knew Bonnie could write hot m/m scenes, I wasn't too scared. I figured I'd been able to write books featuring dragons and aliens as figures in romance, regular people would be easy. I love writing about relationships. That's the part I enjoy most.

Bonnie: Exactly. Relationships are what it’s all about for me, too. I think the sex part flows naturally out of that.

When I approached you to write with me, I have to admit part of my agenda included knowing you were an experienced historical writer who enjoys delving into period detail. Can you tell a little about the two time periods in English history that Stephen and Wounded deal with?


Summer: I know a bit about the times of the Prince Regent and Victoria and their governments, I've read bios of them--and I've read about the Peninsular War. But what I love are the details. The habits and tools of the day-to-day life intrigues me most about any period in the past. I spend hours reading menus and descriptions of the furniture and who bows to whom during introductions.

Bonnie: I’ll attest to that. She was always sending me links to articles with details of oddities of daily life back then. I’ll look up the big picture stuff but I don’t spend the time on detail work that Summer does. She wallows in it.

What are the major themes contained in each of these stories?


Summer: Why do I feel like I'm back in high school with this question?

I tend to write about characters inhabiting a world in which they don't quite fit. I think Bonnie does, too, and she does it beautifully. Finding love means you find that place where you belong, love and a real home. During the Regency and Victorian periods in history, homosexuality was taboo, and so for our characters, finding love has that extra layer of difficulty. Hey, forbidden love is always more interesting and intense.


Bonnie: Yeppers. Outsiders trying to fit in. My favorite theme across the board in all genres of love story. In Seducing Stephen there’s an element of duty versus pleasure. Peter has lived a butterfly life and is feeling jaded and empty. Stephen is squarely middle class and has a strong work ethic. He’s responsible and I think all those qualities draw Peter like a moth to a flame.

In Wounded Heart we have one hero who’s so war-damaged and lonely that he’s about reached the end of his will to live. Along comes lively, “glass half full” Jem and shakes him up like a snow globe. Lovely dichotomy!


Guess that's about it for us. If you have any questions about tandem writing, please feel free to post in the comments. WE'd love to answer your questions.
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