| Room 302 -- The Tower Room |
Mar 26, 2011
Do You Believe in Things You Can't See?
Mar 24, 2011
Mythical creatures
I've been fascinated with them for a while. I bought a book on them a long while back always intending to write a story.
Guess what I haven't read?
I decided to mull over my own dragon world that's not...of Earth. I usually like to know what rules I'm breaking for my own world. That's what I did when I wrote Blood Kiss and the Blood Lines series. I researched vampires and knew what rules I'd keep and which ones I'd bend. But this time I decided I'd create my own fantasy world so I could have my own rules.
I'll read that book one day.
My oldest daughter actually told me today, "You're really obsessed with vampires aren't you?" I think it has something to do with my singing of songs from Buffy the Vampire Slayer's "Once More with Feeling" and that I got her Vampire Academy, but started reading it and told her she wasn't getting it for a while.
Mythical creatures seem to be investing themselves in my life in what I'm reading, writing and watching. Considering the news and what I could be obsessing about, I think mythical creatures are the better option.
I'm also interested in unicorns. I guess that will be a tale for another day...
Mechele Armstrong
www.mechelearmstrong.com
Mar 22, 2011
Talk to Me, baby!

My debut novel, Talk to Me, is releasing today! Talk to Me follows radio producer Jamie MacMahon as she meets host Drew Milan and becomes seduced by his voice. Drew catches Jamie in a compromising position and that's when the fun really starts!
Here's a sneak peek at Talk to Me:
Drew introduced the next segment, and since she’d already cued up callers, she allowed herself to enjoy his somewhat rough, gravelly voice, idly wondering if she might find herself wrestling him to the ground someday just to get him to turn the power of that voice on her. It wouldn’t be a prudent choice, but she’d be willing to stake a year’s pay it would be worth it.
She knew a lot of women who were suckers for a guy with a nice voice, and apparently she was no exception. His was world-class. She propped her chin on her hand and sighed. The man's voice should be illegal. it wrapped around her like a silken thread -- around and around and around, catching her irrevocably in its web. It would certainly be fairer to the female population of the Greater New York City area if he came with a warning label stamped on his head: DANGER TO WILLPOWER.
Never had she experienced such a potent reaction to a man like she did to Drew, and it both excited and unnerved her. Mostly, though, it scared the hell out of her. Sleeping with the talent would be career suicide. Worse than that, though, it would prove to her family and friends that she’d learned nothing from the bad choices she’d made about men in her past. It was pretty obvious a man like Drew wasn’t looking for someone he could sit home and cuddle with while a couple of kids played around him. She’d badly misjudged more than one man’s character just because she wanted to believe they were on the same page as her regarding a future together. Jamie sighed. When would she learn?
When would she learn, indeed! I hope you enjoy Talk to Me! You can contact me through my website at http://www.booksbycassandracarr.com, through Facebook at http://www.facebook.com/AuthorCassandraCarr or through Twitter at http://www.twitter.com/Cassandra_Carr. Happy reading!
Mar 20, 2011
Hey, Everyone. We have a fun contest going on for the next eight days.
REVIEWS: THE AUTHORS MOST FICKLE LOVER
T. C. Archer
What’s a reader to do when reviews for an interesting book clash? How does an author deal with conflicting reviews?
Sunday March 20 thru Sunday March 27 we’ll be talking about how authors and readers deal with diametrically opposed reviews. Visit the contest thread on our blog for the details and to join in on the debate—and for the chance to win a book.
Four winners will receive their choice of one of four books:
Sasha’s Calling by T. C. Archer
The Pendulum: Legacy of the Celtic Brooch by Tarah Scott
Born Into Fire by KyAnn Waters and Tarah Scott
When a Rose Blooms by Tarah Scott
DAY ONE
REVIEWS: THE AUTHOR’S MOST FICKLE LOVER
DAY TWO:
WHY ARE THE CHARACTERS HERE AT ALL?
AND HOW DID THEY GET TOGETHER?
DAY THREE:
SEX: TOO SOON, TOO MUCH? YOU’RE KIDDING, RIGHT?
DAY FOUR:
JUST HOW GOOD WAS THE SEX—REALLY?
DAY FIVE:
LIGHTS, CAMERA, ACTION!
DAY SIX:
WILL I CARE TOMORROW?
DAY SEVEN AND, AT LAST, THE CRÈAM D’ LA CRÈAM: THE BOOB CREAM
DAY EIGHT
EPILOGUE
Mar 18, 2011
Stranger Danger
I once heard a comedian say “You know you’re from Toronto if you consider making eye contact an invasion of personal space.” That pretty much sums up my interactions with strangers back home. On the subway, making eye contact was an invitation for the weirdos to strike up a conversation. Aside from the fact that my commute was great for getting a lot of reading done, the book acted as an additional shield against the prying eyes of those who wanted to -- TALK. I mean, I’m not great at small talk at the best of times, but it takes a special kind of crazy to start talking to a stranger on the subway who is already reading a book. Completely freaks me out.
It’s happened many times. One time, a guy interrupted my reading to show me pictures of his daughter. If it was a newborn… I could probably forgive that. But no, just a whole roll devoted to a teenaged kid standing in a yard. Being a perennially polite Canadian, I let him ramble on, made a few non-committal remarks and got out at the next convenient stop.
Ever been in a movie theatre and had a complete stranger sit in the seat right next to you? Of course you have. But what about in a theatre that’s only ¼ full, and the person comes in partway through the movie -- far too late to be able follow the plot? That’s happened to me THREE times. I kid you not. Three. Each time, I was tense and uncomfortable for the remainder of the movie, partly because I’m envisioning the bit in Scream 2 where the girl gets murdered in a movie theatre. The over-active imagination doesn’t help any, but I’m a strange stranger magnet.
After moving to Florida, the friendly greeting and eye contact when you pass someone on the street or in a hallway… was totally foreign to me. It’s a cultural difference I’m still in the process of hurdling, because every time it happens the first thought to flit through my brain is “What do they want? And is it going to creep me out?” Hey, at least I’m looking them in the eye now. Progress. And if nothing else, I can probably use my stranger magnet as inspiration somewhere. Because you know I’m just waiting for the perfect story to slot in a stranger sliding into a movie theatre partway through and… murder? Delivering a secret message? Kidnapping? Don’t know yet, but I will!
KC Burn
Lying, cheating, no good louses
Sure we've had a few disagreements over the years (he's incredible arrogant and stubborn), but we're a team--me, Swampy and the domme with the flogger that claims she's my internal editor, just another thrill seeking sadist if you ask me, but I digress.
I count on Swampy to raise his massive head from the depths whenever I need him with the perfect plot twist, the hidden motivation, and most of all the clever resolution to characters hanging from a cliff edge that I tend to write.
When I first read a familiar phrase in another author's book, I brushed it aside with a breezy great minds and all that jazz. The second time I found another telltale bit of prose I'd thought was mine alone, my faith in Swampy's loyalty wavered.
I couldn't help notice that he's gone for long period of time, never around for holidays, or weekends. Lately even when he's home, he's exhausted and not in the mood to work.
A sick feeling that I'd been a fool to trust a cheating muse began to seep in. Soon I began questioning everything he did. Every disappearance seemed ominous. The third time I read one of his trademark twists in another writer's novel I cried myself to sleep for a week. Then I decided to fight back. Swampy can't resist steamy scenes. Maybe I can keep him too busy to think about cheating. Or maybe I'll find a new bad-tempered, hard-headed, arrogant louse of a muse. No one is irreplaceable.
Mar 17, 2011
Hurts So Good
Closely aligned to — and often resulting in or from hurt/comfort — is angst.
If your protag is critically injured and languishing in hospital, and his boyfriend is out of town on a secret mission, the hurt/comfort quotient drops, but the angst quotient skyrockets. See how that works?
Like hurt/comfort, angst is a staple of male male romance. As you can imagine all those serious illnesses, critical injuries, nervous breakdowns, rapes, betrayals, addictions, kidnappings, stalkings, deaths in the family, broken dreams, shattered hopes and really really REALLY bad days lead to a certain amount of tension. Even anxiety.
Angst is actually a Germanic word meaning “anxiety.” The Danish philosopher and theologian Kierkegaard, used the term angst to express his belief that the human condition was riddled with despair. He wrote a
philosophical novel called Fear and Trembling. What does that tell you?
Typically we associate angst with adolescence. Few people are better at suffering loudly and noticeably than teenagers. It’s an art form with them, and you have to respect that.
Acne and existential quandaries aside, angst is also a very important ingredient in M/M fiction. Well, not all M/M fiction. Romantic comedy and action/adventure are mercifully angst-free for the most part, but any time your characters are suffering over their conflicted feelings — generally for each other — they are usually angsting.
Please note: if they’re just depressed and insecure, that’s not angst. Angst requires serious suffering. Breaking up with your boyfriend is sad. Your boyfriend dying is tragic. Finding out after your boyfriend dies that he was seeing someone else — now that’s angst.
Death, disease, disaster — this is all angstilicious stuff. High drama is what separates true angst from the anxiety normal to the human condition.
Historical M/M lends itself particularly well to angst. It’s the whole, love that-dare-not-speak-its-name thing. Yaoi is also angstful: all those giant cartoon eyes veritably brim with grief at the human condition — mostly
their own.
Wondering if the object of your affections feels the same is not technically angst — unless you’re under 18. Having a closeted lover, however, is generally grounds for angst.
Because I have a weird sense of humor, the more angstful the story, the more likely I am to find it funny. I guess someone left a banana peel on my pain threshold. Anyway, my advice is that you use angst sparingly.
Less is more. Heaping coals on your hapless character’s head in chapter after chapter just reminds me of those sappy Victorian novels where the noble and long-suffering hero (or heroine) endures tragedy after tragedy only to die with a brave smile and an angelic sentiment upon his rosebud lips after saving a child from the wheels of a train.
In my opinion the more angsty the journey, the more life-affirming and reassuring the happy ending should be — but that’s just me. I’m in favor of happy endings from a purely philosophical standpoint.
Sometimes angst is its own reward — some protagonists do suffer beautifully — but generally it requires comforting. Ideally from the other protagonist. You can see what a vicious cycle this could turn into. It’s
enough to make a grown man cry.
Mar 12, 2011
Like Tooth Extraction With a Roll of Duct Tape and a Pocket Knife
| writer's block by Inger Klekacz |
Writers are always told to write what you know.
Which is all well and good until you enter the realm of women writing m/m romance or men writing f/f. Or, hell, virgins writing erotic romance of any kind (and yes, they do exist). Yet many of these books that are written by people who likely don't have intimate knowledge of these types of relationships are brilliantly done, evoking deep responses from the readers, and not necessarily from their tingly parts. And let’s not forget space travel, werewolves, time travel, vampires, fairies, magic and monsters… So the question is, what makes these books so good?
Well, I can't speak for others, but I know that as far as I'm concerned, not only is it because I'm clearly a genius (ha-ha), but also because I still apply the old axiom to my writing, and work in what I know at every opportunity. I’m not an expert on men in love with men, but I like to think that I’ve got a pretty damn good handle on romance, and people want to be loved. People seek partners, and sometimes they avoid partners at all costs because their lives are just that messed up, but love finds them anyway – I get to help two friends go ring shopping in the near future, despite the one’s insistence for years that he was “done” with dating and romance and just going to be monogamous with his right hand for the rest of his life – and yes, the emotional wiring is different, thanks to the vast complexity of the human condition, and therein lies the real challenge. The true heart of writing what you know while still exploring new and/or different realms and possibilities.
In every character I create, I place a kernel of truth. Something that I believe and identify with and can build upon. It might be something as simple as a competitive streak, like I did with Dominic Taylor in Winner Takes All, which grew and became a defining factor for him; there could have been any number of ways to get Matt in bed, but instead, he does it with a bet. And can’t even make himself back down when he knows it’s got all the potential to blow up in his face, because there’s that need to win. I dislike competing, but it doesn’t mean that I don’t have that drive to win, to do better than the other guy, to hang on like a rat terrier until the prize is effing mine. I just took that and gave it to Dom; but I knew it, as well as I know myself.
Sometimes this tactic can backfire on me, though. Jenny and I have been working on a novel lately, and one of the characters is introduced at the funeral of his wife. I had to dig deep for those feelings, picking at a personal emotional scab until I was able to find a way to put into the words the unimaginable desolation of having to face a world without your loved one in it. It’s a large part of what’s taking so long with this novel, in fact, because I have to do my part in passes, a little at a time, a forced catharsis that rather resembles dental surgery without drugs.
But damn, I’m so proud of it already.
So I’ll keep on writing what I know. But I think next time I’m just going to go with something easy. Maybe a love of cats.
What about you? Do you believe in writing what you know?
And, because it wouldn't be one of my posts without an extra visual aid:
See you next month, when I'll have hopefully figured out Blogger.
Love,
Elizabeth

PS: I have a new adventure I'm embarking on, opening on Tuesday. I've banded together with some talented and wildly entertaining writers to form a small group blog called Dirty Birdies. There are no content restrictions, just nine authors being themselves, writing what we know. Even if "what we know" is nothing more than a Top Ten list of "Hell yes, in a heartbeat" do-ees.
There will be contests and shenanigans, and we'd love for you to come on by!
Mar 11, 2011
The Perfect First Line
For the rest of the information on how to enter, please visit my website contest page at http://cjengland.com/contests/ Any questions? Please contact me at the email address above.
I hope to get an entry from each and every one of you! So what are you waiting for? Hit me with your best line!!!! Good luck and happy writing!!!
http://groups.yahoo.com/group/CJsaysFollowYourDreams/
Mar 10, 2011
What is it about a book that calls to you?
Mostly, I’d like any title to mean something when it comes to the story and the characters.
All this got me to thinking. What drives us as readers to even give a book a second look, let alone buy it? What is it we want to know before purchasing? We don’t want to buy books we won’t enjoy. Why waste our time and money?
What do we use to evaluate if this story is one we’ll like?
The title?
The cover?
The blurb?
The excerpt?
The content?
Theme?
Reviews?
Recommendations from friends?
Previous experiences with the author's other work?
What makes us stop at a book and say, “Yes. This one. I want this one!”
Every week there are more and more m/m romances released, so even if you read exclusively in that one genre, you have a lot of choices these days. More than even two years ago. How do readers make their selections?
I will admit, for me, it’s a combination of all those items listed above. I avoid themes I know aren’t my thing. A great cover might draw my attention. Or maybe a rave review. A link from a friend on FaceBook. But in almost every case, I want to read an excerpt. Especially for new-to-me authors. I want a sample of their voice and the way they tell a story. Catch my attention in the excerpt and I’m clicking the buy button.
So how about you? I’m curious…What do you look for? How do you choose which books to buy? Is the title an important factor? I’d love to hear what motivates you to select your next book.
Thanks,
Sloan Parker
www.sloanparker.com
Mar 8, 2011
Meeting The Cast

Today’s release of Camille’s Capture is the first book set in my latest vision of the distant future. I love world building, but even better than creating new solar systems is the joy of finding the right characters to bring the erotic adventure to life. Instead of the traditional blurb and excerpt, here are snippets from the story describing Cami, Jaxon, and Aegis.
This story belongs to all three of them, but most of all to Cami, sweet, brave, and stronger than she believes. Even the meekest lamb had a breaking point where she’ll fight or flee. Cami’s a realist-- she flees. Although she doesn’t get far before her designated mates catch up with her, she finds plenty of trouble.
The difference between how someone sees themselves and how they really look--has always intrigued me.
An unlikely space war combatant, Cami is short, round, and ordinary. When Jaxon views a holocast of her, he sees something entirely different.
The big guy hadn’t exaggerated. On a scale of one to ten, a ten being the best holo-ho Jaxon had ever dreamed up, she was a fifteen. The earthling was some kind of serious beautiful. Almost white blonde hair, hazel eyes, and creamy skin decorated a body built for breeding.
Cami meets Jaxon mid-crisis, but he still makes an impression.
Turning to level him with a glare, she gaped. The man was bristling with weapons of death and destruction. He was also totally jaw-droppingly stunning. Tall and powerfully built like every other warrior she’d glimpsed, this one was even more savage. Perhaps it was his sharp blade of a nose, his piercing, deep-set eyes, or hair cut so short it barely bristled above his skull. Not to mention his arsenal.
Aegis calls to her heart from the moment she sees him.
A second warrior loomed into the shuttle. The new male was larger, more heavily armed, and as she watched him shimmer and change before her eyes, he should have been much scarier than the first man. Cami blinked, expecting to clear the stress-induced hallucination, but her sight was clear. The new warrior really was big--very big, very green, and very much not human. Scales instead of skin, delicate tentacles like those of a sea creature, and knobby horns were arranged in an attractive package with the powerful lure of the alien. The forbidden.
How do you feel about a hero's physical appearance? Could you love an alien--one who's definitely not human?

