Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Jul 15, 2010

The Book as Film


I've been experiencing a writerly...ennui as of late.

I hesitate to use the dreaded "B" word. Burn out. I hesitate to use it because once the word takes spectre-like form in my brain it's liable to be haunting me for months. But I also hesitate to use because it's not exactly accurate. It's not that I don't have ideas anymore or can't remember how to write. It's not that the work isn't any good. It's as good as it ever was (which I guess was always a matter of opinion anyway). It just takes more effort. Like having to peddle a flying machine rather than using wings. I can still get airborne, but flying isn't quite as fun.

No, the only word I can think to describe this is ennui. I don't feel like writing. If I make myself write -- which I have to do of course, since I have a million deadlines and a mortgage that depends on me meeting them -- the work is fine. It's slow, granted. I'm only doing 1 - 2K a day. But since that's the schedule I recommend to my writing students, it's a perfectly respectable -- and productive number.

It's not that I want to go do something else. I can't think of anything I'd rather do -- other than swim, watch movies, eat, drink wine, and read. So one of these days I'll probably do a post on burn-out and how to reset your creative buttons. One thing I find useful is to go do something else creative, and to that end I've been experimenting creating book trailers.

I'm not sure when the idea took root exactly. I've been reading a few articles on promotion and book trailers are one of those things getting a fair bit of press. The New York Times had an article this week on authors doing a "star turn." You know, those trailers where the author gets up and reads from her book or discusses how she came to write it -- those are actually the most prevalent trailers and probably the least effective.


Anyway, I started out trying to hire someone to do a couple of trailers for me, but as I studied trailers and got pricing from folks, I couldn't help thinking how neat some of these trailers were and how FUN it would be to put something like that together. And of course as I was studying all these sites I kept coming across How To articles on doing book trailers yourself, and several of them pointed out that most of us already have some limited movie making softwear on our computers.


Well, say no more, say no more!


One of my best tricks for battling burn-out is to simply throw myself into some other creative endeavor. Music is always a good one. I'd love to paint, but I'm not painter sadly, despite a lot of art classes and the fact that nearly everyone in my family can draw or paint. Anyway, I started playing around with doing my own book trailers. Now, I won't pretend that the results are professional-looking. For one thing my trailer is too long, for another, it's too busy, and for a third, I don't know what the heck I'm doing, but I had a lot of fun with it. And, oddly enough, it revitalized my enthusiasm for this particular book, The Darkling Thrush.


Best of all, it resparked my creativity. It was relatively easy to do, too. Of course that's probably apparent from the quality of the thing, but hey! So without further adieu, my first book trailer.

Apr 6, 2010

The Darkling Thrush by Josh Lanyon



New this morning from Loose Id. A magickal novel of looking for love -- and dangerous books -- in all the wrong places.

ISBN: 978-1-60737-563-0
Author: Josh Lanyon
Cover Artist: Croco Designs
Price: $5.99

BLURB:
Fed up with his desk duty in the Imperial Arcane Library, book hunter Colin Bliss accepts a private commission to find The Sword’s Shadow, a legendary and dangerous witches’ grimoire. But to find the book, Colin must travel to the remote Western Isles and solve a centuries’ old murder.

It should be nothing more than an academic exercise, so why is dour -- and unreasonably sexy -- Magister Septimus Marx doing his best to keep Colin from accepting this mission -- even going so far as to seduce Colin on their train journey north?

Septimus is not the only problem. Who is the strange fairy woman that keeps appearing at inconvenient times? And who is working behind the scenes with the sinister adventuress Irania Briggs? And why do Colin’s employers at the Museum of the Literary Occult keep accusing Colin of betraying them?

As Colin digs deeper and deeper into the Long Island’s mysterious past, he begins to understand why Septimus is willing to stop him at any price -- but by then, it’s too late to turn back.



From Loose Id

EXCERPT:


The letter was addressed to Mr. Colin Bliss.

It sat on my desk, propped against the framed photograph of me and Antony. This reminded me that, as we were no longer “an item,” I really needed to dispose of that photograph of me and my chief. It was bound to look a trifle kiss-ass, and I’d already done enough of that in every conceivable form.

I picked up the cream envelope, studied it. There was no return address, which seemed curious. Brown ink. Another curiosity. Librivenators like myself -- in fact, most of the Societas Magick -- used blue. Other branches of the Arcane Services used purple. The general populace favored black. I couldn’t think of any particular significance to brown. Perhaps the author simply liked the color. The problem with book hunters is we see a mystery every time pen is set to paper. One of the problems, anyway. I’d heard I had others. In detail from Magister Septimus Marx.

The handwriting was spidery and elegant. Absently, I turned the envelope over and tried to peruse it. I can’t say I felt any kind of premonition. After all, my kind of trouble would hardly announce itself with heavy stationary and a fine hand. Who handwrote letters these days of the Varityper? Let alone letters like this one, which offered fleeting impressions of genteel age and sumptuous living: an elderly person…male…an elegant drawing room with heavy velvet drapes, marble topped chests, and a spread of tarot cards on the table…

I picked up the pearl-handled letter opener and slit the envelope open.

Dear Mr. Bliss,
Allow me to introduce myself. I am Aengus Anstruther, and I have the honor of being the presul of the Museum of the Literary Occult in London. I hope I am not being unduly modest in assuming that you are familiar with our own humble efforts to preserve the written heritage of our metaphysical past….


Amateurs. All too often their helpful efforts were merely a guise for private collectors appropriating magical texts that more properly belonged in the official libraries. I glanced at the bottom of the note to see Mr. Anstruther was requesting a donation. He was not. I continued reading.

You, of course, are the gifted author of Secret Societies and Subversive Movements and the discoverer of Sir Florian Botolf’s memoirs. Recognizing that we share a certain fascination with lost treasures and written lore, and I would very much like to formally make your acquaintance and, perhaps, propose a small but intriguing venture if you will be in town on the afternoon of the 13th of this month. We are having a private showing of the Botolf Grimoire, and I would like to invite you to a viewing here at the museum at two o’clock. If you can attend, please confirm by telecom.

Sincerely,
Aengus Anstruther


The Botolf Grimoire. Mr. Anstruther certainly knew with what temptation to bait his hook. Not that I wouldn’t have been interested in a peek inside the Museum of the Literary Occult. It was one of several such places I’d hoped to visit when I first arrived in London eight weeks earlier -- before I’d been distracted by other things.
I frowned at the date, double-checked my calendar. The 13th was the following day. Not a lot of warning.

Now that I was no longer in favor, taking off for an afternoon might prove problematical -- or perhaps not. I had the impression that Antony preferred as much as possible to forget I still existed. It was Basil, Antony’s brother and the procurator of Leslie’s Lexicons -- a front for our local branch of the Imperial Arcane Libraries -- who was most likely to pitch a fit if I disappeared for the afternoon when I was supposed to be squirreled away in my cubicle translating and transcribing ancient texts. The least interesting part of the job for me. I liked the hunt.

I studied the number listed and then dialed it on the upright telefon on my desk, confirming shortly after with a curt young woman that I would indeed be available to attend the private showing at the Museum of the Literary Occult. I’d been hoping for just such an invitation, but had never been able to determine who exactly the presul was over there -- not that I confided that to Miss Mildew, nor would she have been interested as she obviously couldn’t wait to get back to organizing paper clips.

Hanging up the telefon, I glanced at Antony’s photo again, and turned it face down on the desk. He’d always looked rather supercilious in that picture, although at the time he’d gifted me with it, I hadn’t noticed -- I’d thought he just looked like his mind was on Important Matters.

When I glanced up again, Antony was standing in the doorway -- and his expression matched the one I’d just buried in papers.

“Basil seems to feel there’s a problem.”

Terrific.

I asked coolly, “With my work?”

“With your attitude.”

Can anything be more awkward than being dumped romantically by one’s superior? This is why one avoids office romance if one has half a brain. Too bad for me my little head got what the big head should have.

I said, “I have no attitude, Antony. I’m here to do a job and I’m doing it to the best of my ability.”

“I’m glad to hear that,” Antony said, looking anything but glad.

He continued to stand in the doorway and frown at me.

“Was there anything else?”

“No.”

I opened Nesta Webber’s excellent resource, Weird Words, and picked up my pen to make notations. I felt Antony watching me, but still he said nothing. Tall, lean, handsome in an inbred way like so many of the English aristocracy; Antony had sandy-colored, thinning hair, blue eyes, charmingly crooked teeth. What in the Name of All was it about him I found so irresistible? Even now when I couldn’t stand him.

When he finally turned away without speaking, I felt that inevitable lurch of disappointment. “Antony,” I said, and I winced inwardly at the urgency of my tone.
He paused, meeting my gaze. It was not an encouraging look. I said, “I’ve been invited to a special showing of the Botolf Grimoire at the Museum of the Literary Occult tomorrow afternoon. Is it all right if I take off early?”

“You’ve been invited?” He considered this, and said at last, “Of course. If you’ve actually received an invitation, you must go.” He hesitated. “I believe Magister Marx is also attending. You might have a word with him. Perhaps you can go together.”

“All right.” No way on earth was I going anywhere with that arrogant, judgmental bastard Septimus Marx.

Antony went. I rested my forehead in my hand, pretending to stare at the blank pages before me. Two months ago I’d arrived in jolly olde England as part of the colonial exchange program between bureaus of the Societas Magicke. And about four and a half minutes after I’d first arrived at Leslie’s Lexicons -- the dusty and labyrinthine monstrosity which served as the public face of one of the most extraordinary collections of arcane and occult tomes in the Empire -- I’d met Antony Leslie, the presul.

Antony was charming and handsome and knowledgeable -- and I was a long way from home. He took me to dinner, explained and thanked me for the important work we colonials were doing for the society -- and mankind -- and then he’d taken me back to my hotel and treated me to some of the best sex of my life.

Our affair lasted seven weeks. In addition to being charming, handsome, and knowledgeable, Antony was married. It hadn’t seemed like a problem initially. If there was a problem, it was Antony’s, right? But seven weeks later, seduced and abandoned (as they used to say in ye good old days) and having managed to thoroughly isolate myself from my colleagues, I began to understand that it was my problem too, and I had displayed some staggeringly awful judgment. Not least in falling for a man who wore ties as wide as Antony’s.

So I really didn’t need Septimus Marx looking down his long and arrogant nose at me or curling his thin mouth in one of those sneering smiles because he’d turned out to be absolutely right about…well, pretty much everything.

Marx also worked at Leslie’s Lexicon, although I was never quite sure at what. He was a Magister, a master of some field of study within the Societas Magicke, the branch of the Arcane Services that dealt with written magic. I suspected he was one of the dreaded Vox Pessimires, one of those taxed with the terrible job of destroying those magical texts too dangerous or powerful to remain in circulation -- or even on the shelves of the Imperial Arcane Libraries. Even if it was true, no one would admit it. The identities of the Vox Pessimires were protected. Perhaps it was necessary job, but most of us within the Societas Magicke found it despicable.

Which was probably why I was willing to believe it of him. Marx was often “in the field.” Although in his case being in the field seemed to encompass everything from conferring with black market book sellers to retrieving stranded colleagues -- which is how we happened to meet the day I arrived on English soil. Marx picked me up at the aeroport. He had been unimpressed then, and he was -- if possible -- less impressed now.

And I tended to agree with him.


From Loose Id

Feb 18, 2010

Say What?



All hell just might literally break loose when "Book Hunter" Colin Bliss ignores his lover’s warning and travels to the remote Western Isles to find a legendary book of spells.


I've been working on The Darkling Thrush, a new spec fiction (fantasy, in this case) novel due into Loose Id...in five days. (But who's counting, right?)

Don't ask me why I decided to start the year out with spec fiction when I find it the most difficult genre of all to write in. Which is not to say that I don't love it, because I do. And part of what I love about it is the fact that it's challenging. I think of it as something similar to assembling an onion. What happens so easily in nature is not what happens -- for me -- writing fantasy. So many layers that must be glued seamlessly on top of each other. The research is even more intensive than for historical fiction because I write a sort of AU historical fantasy, which means getting the real history down -- and then deciding how to tweak it. And the magic system -- it all has to be worked out. And religion. Where does that fit in?

I know I could just ignore religion altogether -- lots of fantasy writers do -- but this particular story takes place largely in the Outer Hebrides on the island of Lewis. If you know anything about Lewis, you know how large a role Christianity and the sabbath play in the culture and identity of the people. So it's hard to blithely ignore that and say...in this world Christianity never happened!

So...it's complicated. But I like that -- when I'm not cursing it.



Anyway, I've been going through and naming things from my trusty Gaelic dictionary. I have an up-to-date modern dictionary because at one point I was actually trying to learn Gaelic (don't ask). But I also have a very old 1903 Gaelic dictionary, and this is the one I'm using for my fantasy world.

As I was scrolling through it last night trying to finalize the name of my witches's grimoire I started noticing that the words in the English half of the dictionary are pretty much as unfamiliar as the Gaelic.

Maybe it's just me. I thought I had a pretty good grasp of English, but I had to look Tergiversation up.

So I thought I would throw out a few gems from the English half of my Gaelic dictionary, and the first person who defines them all correctly in the comment section gets a free copy of The Darkling Thrush when it's published later this spring.

Here we go:

Spiry

Pulpousness

Penduncle

Meridional

Foin

Crimination

Clangour

Sep 14, 2009

The End of an Era

Dark Elves VI: Awakening

The Dark Elves series wrap up is available now.

Back in March of 2005, Dark Elves I: Taken was published. It's been a wild ride since then, both for the elves and for me. My stories have taken turns I didn't anticipate and I've taken some detours to other series along the way. If you'd asked me back then what I'd be writing most, I'd have said stories like the Dark Elves, in other words, high fantasy. I've been a fantasy reader since I was very young. But I'm glad I got into other types of writing. I think it's kept my stories fresh.

For those who read this sixth installment, I hope you like where there characters have taken me. I think it's a rather appropriate ending.

And, for those who ask, I don't know if or when I'll be returning to the world of the elves but I think I might. It would be a shame not to. I've spent lots of time there now.

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